
Guitar Chords
Guitar | Open Chords | Triads | Learn the Fretboard | Chord Progressions
The core idea in plain words
A chord is three or more notes sounded together. On guitar, a chord shape is simply a way of holding down strings so that every string you strum plays one of those notes.
The recipe for the basic chords is short:
- Major chord = root + major 3rd + perfect 5th (scale degrees 1–3–5). Bright, settled.
- Minor chord = root + minor 3rd + perfect 5th (1–♭3–5). Darker, sadder.
- Dominant 7th = major chord + minor 7th (1–3–5–♭7). Tense; wants to resolve.
- Major 7th = major chord + major 7th (1–3–5–7). Dreamy, jazzy.
- Minor 7th = minor chord + minor 7th (1–♭3–5–♭7). Mellow.
- sus2 / sus4 = replace the 3rd with the 2nd or 4th. Neither major nor minor — open and floating.
If you know which notes are in a chord, you can check any shape yourself: name the note on each string and see if it’s in the recipe. See Triads and The Musical Alphabet for where the recipe comes from.
An analogy: a recipe, not a photograph
A chord name is a recipe (“C, E and G”), not a photograph of one hand position. The open C shape, a barre C at the 8th fret and a three-string triad at the 5th fret are all the same dish cooked in different kitchens. Learn the shapes, but also learn the ingredients — that is what frees you from the chord chart.
How to read the shapes
Strings are listed from the low (thick) E to the high (thin) E: E A D G B E. Each number is the fret to press; 0 means an open string; x means don’t play it. Next to each shape are the notes it actually sounds, low to high — every one checked against the recipe.
The essential open chords
Major
| Chord | Shape (E A D G B E) | Notes sounded | Chord tones |
|---|---|---|---|
| C | x 3 2 0 1 0 | C E G C E | C E G |
| A | x 0 2 2 2 0 | A E A C♯ E | A C♯ E |
| G | 3 2 0 0 0 3 | G B D G B G | G B D |
| E | 0 2 2 1 0 0 | E B E G♯ B E | E G♯ B |
| D | x x 0 2 3 2 | D A D F♯ | D F♯ A |
These five are the “CAGED” shapes. Every major chord anywhere on the neck is one of them, moved up.
Minor
| Chord | Shape | Notes sounded | Chord tones |
|---|---|---|---|
| Am | x 0 2 2 1 0 | A E A C E | A C E |
| Em | 0 2 2 0 0 0 | E B E G B E | E G B |
| Dm | x x 0 2 3 1 | D A D F | D F A |
Seventh chords
| Chord | Shape | Notes sounded | Chord tones |
|---|---|---|---|
| G7 | 3 2 0 0 0 1 | G B D G B F | G B D F |
| C7 | x 3 2 3 1 0 | C E B♭ C E | C E G B♭ (5th omitted) |
| D7 | x x 0 2 1 2 | D A C F♯ | D F♯ A C |
| E7 | 0 2 0 1 0 0 | E B D G♯ B E | E G♯ B D |
| A7 | x 0 2 0 2 0 | A E G C♯ E | A C♯ E G |
| Cmaj7 | x 3 2 0 0 0 | C E G B E | C E G B |
| Fmaj7 | x x 3 2 1 0 | F A C E | F A C E |
| Am7 | x 0 2 0 1 0 | A E G C E | A C E G |
| Em7 | 0 2 0 0 0 0 | E B D G B E | E G B D |
Suspended
| Chord | Shape | Notes sounded | Chord tones |
|---|---|---|---|
| Dsus2 | x x 0 2 3 0 | D A D E | D E A |
| Dsus4 | x x 0 2 3 3 | D A D G | D G A |
| Asus2 | x 0 2 2 0 0 | A E A B E | A B E |
| Asus4 | x 0 2 2 3 0 | A E A D E | A D E |
Barre chords (movable)
| Chord | Shape | Notes sounded | Chord tones |
|---|---|---|---|
| F (E-shape, 1st fret) | 1 3 3 2 1 1 | F C F A C F | F A C |
| Fm (Em-shape, 1st fret) | 1 3 3 1 1 1 | F C F A♭ C F | F A♭ C |
| B♭ (A-shape, 1st fret) | x 1 3 3 3 1 | B♭ F B♭ D F | B♭ D F |
| Bm (Am-shape, 2nd fret) | x 2 4 4 3 2 | B F♯ B D F♯ | B D F♯ |
Slide an E-shape barre up the neck and the root (on the low E string) names the chord: 3rd fret = G, 5th = A, 8th = C. Slide an A-shape barre and the root is on the A string: 3rd fret = C, 5th = D, 7th = E.
A worked example: checking a shape yourself
Is x 3 2 0 1 0 really a C major? Name each note:
- A string, 3rd fret: A → A♯ → B → C
- D string, 2nd fret: D → D♯ → E
- G string, open: G
- B string, 1st fret: C
- high E, open: E
Notes: C, E, G, C, E. The recipe for C major is C–E–G. Every note is in the recipe, and the lowest note is the root, C. Confirmed.
Now try x 0 2 2 1 0, which most books call Am: A, E (D string 2nd fret), A (G string 2nd fret), C (B string 1st fret), E. A–C–E: root, minor 3rd, 5th. Confirmed — and notice that moving one finger (the B string from fret 2 to fret 1) is all that separates A major from A minor. That one fret is the major 3rd becoming a minor 3rd.
Practice: the one-four-five
In any key the I, IV and V chords cover thousands of songs. In G: G – C – D. In C: C – F – G. In A: A – D – E. In E: E – A – B (use the Bm-shape barre without the minor: x 2 4 4 4 2). Add the vi chord (Em in G, Am in C) and you have the four-chord progression. More on the Chord Progressions page, and try them on the Songs to Learn.
Common misconceptions
- “You must strum all six strings.” The
xmatters. Strumming the low E on a C chord adds an E in the bass — not wrong, but muddy. - “Barre chords are for later.” Start a partial F (
x x 3 2 1 1) in week two; strength comes from doing it. - “Seventh chords are a different family.” They’re the same triad with one extra note.
- “Sharp and flat names are interchangeable.” Sound-wise yes; spelling-wise the key decides (F major has B♭, not A♯).
Connections
- Open Chords, Triads, Scales, Musical Keys
- Learn the Fretboard and Guitar Practice
- Jazz Guitar — where the 7th chords take over.
